
Exhibition
Harit Srikhao
Monument and Cloud

YDP launches our Artist’s Lab with pages from Harit Srikhao’s scrapbooks created over the past decade. These intimate pages offer a gentle behind-the-scenes glimpse into Srikhao’s evolving practice. Images and ideas overlap, dissolve and reemerge, moving through a labyrinth of entangled ideologies, bodies and memories. By revisiting and reimagining these fragments, Srikhao introduces a process of continual transformation, during which shifting imagery both mediates our vision and opens unexpected points of view.

Harit Srikhao: Monument and Cloud, 2025, installation view. Photography: Harit Srikhao.

Harit Srikhao: Monument and Cloud, 2025, installation view. Photography: Harit Srikhao.
As a visual artist whose practice grows from photography, Srikhao often works with diaristic snapshots and staged compositions, where inner and physical landscapes meet. For him, photography is a sensory medium for framing, understanding and reconnecting with the world.

Harit Srikhao: Monument and Cloud, 2025, installation view. Photography: Harit Srikhao.

Harit Srikhao: Monument and Cloud, 2025, installation view. Photography: Harit Srikhao.
In residence at YDP from 1 September to 23 November 2025, Srikhao is developing a new project that explores the psychological power of photography and puppetry as spiritual media. Taking the 2018 Tham Luang cave rescue as a starting point, the work revolves around the complex interplay of love and tension. His residency will culminate in an Open Studio in November, where Srikhao will share his research and work-in-progress.
Header images: Harit Srikhao: Monument and Cloud, 2025, installation view. Photography: Wenxuan Wang. Image Courtesy YDP.
About the Artist
Harit Srikhao (b. 1995, Bangkok) lives in Pathum Thani. Rooted in photography, his multimedia practice engages with interconnected themes spanning the aesthetics of power and bodily autonomy, ranging from diaries documenting fleeting moments to staged imagery. For Srikhao, photography functions as a method for addressing delays in understanding, coming to terms with and recomposing relationships in the world. This approach is driven by an intense effort to grapple with his personal experience of being both a subject and an object: surrendering control over one’s image, struggling to reclaim one’s agency and the process of giving it a body.
Srikhao has a BFA from King Mongkut’s Institute of Technology Ladkrabang in Bangkok and an MFA from the Nuova Accademia di Belle Arti in Milan. His work has been collected by museums including Musée de l’Elysée (Photo Elysée), Lausanne; Foam Photography Museum, Amsterdam; and Kiyosato Museum of Photographic Arts, Yamanashi.

